THE INNOCENTS

Showings

Ped Mall -Scene 1 Fri, Aug 5, 2016 1:00 PM
Ped Mall -Scene 1 Fri, Aug 5, 2016 6:00 PM
Ped Mall -Scene 1 Sat, Aug 6, 2016 1:00 PM
Ped Mall -Scene 1 Sat, Aug 6, 2016 6:00 PM
Ped Mall -Scene 1 Sun, Aug 7, 2016 1:00 PM
Ped Mall -Scene 1 Sun, Aug 7, 2016 6:00 PM
Ped Mall -Scene 1 Mon, Aug 8, 2016 5:30 PM
Ped Mall -Scene 1 Tue, Aug 9, 2016 5:30 PM
Ped Mall -Scene 1 Wed, Aug 10, 2016 5:30 PM
Ped Mall -Scene 1 Thu, Aug 11, 2016 1:00 PM
Ped Mall -Scene 1 Thu, Aug 11, 2016 6:00 PM
Ped Mall -Scene 1 Fri, Aug 12, 2016 7:30 PM
Ped Mall -Scene 1 Sat, Aug 13, 2016 3:00 PM
Ped Mall -Scene 1 Sat, Aug 13, 2016 7:30 PM
Ped Mall -Scene 1 Sun, Aug 14, 2016 3:00 PM
Ped Mall -Scene 1 Mon, Aug 15, 2016 7:30 PM
Ped Mall -Scene 1 Tue, Aug 16, 2016 7:30 PM
Ped Mall -Scene 1 Wed, Aug 17, 2016 5:30 PM
Ped Mall -Scene 1 Thu, Aug 18, 2016 1:00 PM
Ped Mall -Scene 1 Tue, Oct 24, 2017 6:00 PM
Series Info
Series:Bijou After Hours
Film Info
Rating:PG-13
Runtime:115 mins.
Director:Anne Fontaine
Year Released:2016
Production Country:France, Poland
Language:French, Polish, and Russian with English subtitles

Description

"Powerful! A complex social allegory, delivered in a film of masterful restraint and great compassion." -Andrew O'Hehir, Salon

"Starring, directed, filmed and written by women, balancing agnostic intelligence and respect, this is one of the most compelling films about war in years." -Colin Covert, Minneapolis Star Tribune

"A near perfect film with restrained, yet powerful, performances, direction that allows the narrative to unfold in truly revelatory ways, surprising humor, and cinematography that begs translation into still photography." - J. Ryan Parker, Patheos.com

Warsaw, December 1945: the second World War is finally over and Mathilde is treating the last of the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic one night begging Mathilde to follow her back to the convent, what she finds there is shocking: a holy sister about to give birth and several more in advanced stages of pregnancy. A non-believer, Mathilde enters the sisters' fiercely private world, dictated by the rituals of their order and the strict Rev. Mother (Agata Kulesza, Ida). Fearing the shame of exposure, the hostility of the new anti-Catholic Communist government, and facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their belief and traditions clash with harsh realities.