In conjunction with Shakespeare at Iowa and Shakespeare's First Folio exhibition visit to Iowa City, FilmScene is pleased to present Orson Welles' Shakespearean masterpiece, newly released by Janus Films.

"If I wanted to get into heaven on the basis of one movie...the one I would offer up." -Orson Welles

"May be the greatest Shakespearean film ever made, bar none." -Vincent Canby, The New York Times

"He [Welles] has directed a sequence, the Battle of Shrewsbury, which is unlike anything he has ever done...ranks with the best of Griffith, John Ford, Eisenstein, Kurosawa--that is, with the best ever done." -Pauline Kael

The crowning achievement of Orson Welles' later film career, CHIMES AT MIDNIGHT returns to the screen after being unavailable for decades. This brilliantly crafted Shakespeare adaptation was the culmination of Welles' lifelong obsession with the Bard's ultimate rapscallion, Sir John Falstaff, the loyal, often soused childhood friend of King Henry IV's wayward son, Prince Hal. Appearing in several plays as a comic supporting figure, Falstaff is here the main event: a robustly funny and ultimately tragic screen antihero, played by Welles with lumbering grace. Integrating elements from both Henry IV plays as well as Richard II, Henry V, and The Merry Wives of Windsor, Welles created an unorthodox Shakespeare film that is also a gritty period piece, one that he called "a lament...for the death of Merrie England."

Poetic, philosophical, and visceral--with a kinetic battle sequence centerpiece as impressive as anything else Welles directed--CHIMES is as monumental as the figure at its center!