Bijou
After Hours is presented by the Bijou Film Board
After Hours is a late-night series featuring cult classics, fan favorites,
recent releases, and the best in modern genre films. Saturdays at 11pm during
the semester. FREE for UI students -- simply show
your student ID at the box office! Tickets only $6.50 for general public.
Late Shift at the Grindhouse – Wednesdays (and this
Saturday) gets weird when Late Shift hosts Ross Meyer, Joe Derderian and Aaron
Holmgren team up with Bijou After Hours chair Spencer Williams to dig up
low-budget b-movies, horror and gore-fests, and camp classics for your viewing
pleasure. Buy your ticket and take a ride in our Time Machine! Punch in and
earn a bonus! $3 Pabst Blue Ribbon tallboys and $2 small popcorn! PLUS--
special custom trashy trailer reel curated by Ross with cheap swag and prize
giveaways!
Cemetery Man
a.k.a Dellamorte Dellamore
A cemetery man must kill the dead a second time when
they become zombies.
“The film leans into modern comedy,
but it also passes through moments of genuine longing and even existential
crisis.” -
Combustible Celluloid
“Frightfully funny.” – Amy Dawes, Los Angeles Daily News
“One of the best horror movies you’ve
never seen! Plenty of gore, comedy and
steamy sex.” -
Fangoria
Rupert
Everett (My Best Friend’s Wedding) stars as Francesco Dellamorte, a cemetery
watchman whose job is to slaughter the living dead when they rise hungry from
their graves. But following a tragic
tryst with a lusty young widow (stunning Anna Falchi in one of three sexy
roles), Francisco begins to ponder the mysteries of existence. Is there long-term satisfaction in blasting
the skulls of ‘returners’? Will his
imbecile assistant find happiness with the partial girl-corpse of his
dreams? And if death is the ultimate act
of love, can a psychotic killing spree send Dellamorte to the bring of
enlightenment?
Italian
horror master Michele Soavi (Stage Fright) directed this brilliantly bloody
black comedy – also known as Dellamorte Dellamore – that Gore Score calls “a
deliciously demented, delightfully surreal stew of sex, death, splatter,
male-bonding, barfing, zombies and nothing less that the Ultimate Meaning of
Life!”