Bijou After Hours is presented by the Bijou Film Board
After Hours is a late-night series featuring cult classics, fan favorites, recent releases, and the best in modern genre films. Saturdays at 11pm during the semester. FREE for UI students -- simply show your student ID at the box office! Tickets only $6.50 for general public.

Late Shift at the Grindhouse – Wednesdays (and this Saturday) gets weird when Late Shift hosts Ross Meyer, Joe Derderian and Aaron Holmgren team up with Bijou After Hours chair Spencer Williams to dig up low-budget b-movies, horror and gore-fests, and camp classics for your viewing pleasure. Buy your ticket and take a ride in our Time Machine! Punch in and earn a bonus! $3 Pabst Blue Ribbon tallboys and $2 small popcorn! PLUS-- special custom trashy trailer reel curated by Ross with cheap swag and prize giveaways!

Cemetery Man

a.k.a Dellamorte Dellamore

A cemetery man must kill the dead a second time when they become zombies.

“The film leans into modern comedy, but it also passes through moments of genuine longing and even existential crisis.” - Combustible Celluloid

“Frightfully funny.” – Amy Dawes, Los Angeles Daily News

“One of the best horror movies you’ve never seen!  Plenty of gore, comedy and steamy sex.” - Fangoria

Rupert Everett (My Best Friend’s Wedding) stars as Francesco Dellamorte, a cemetery watchman whose job is to slaughter the living dead when they rise hungry from their graves.  But following a tragic tryst with a lusty young widow (stunning Anna Falchi in one of three sexy roles), Francisco begins to ponder the mysteries of existence.  Is there long-term satisfaction in blasting the skulls of ‘returners’?  Will his imbecile assistant find happiness with the partial girl-corpse of his dreams?  And if death is the ultimate act of love, can a psychotic killing spree send Dellamorte to the bring of enlightenment? 

Italian horror master Michele Soavi (Stage Fright) directed this brilliantly bloody black comedy – also known as Dellamorte Dellamore – that Gore Score calls “a deliciously demented, delightfully surreal stew of sex, death, splatter, male-bonding, barfing, zombies and nothing less that the Ultimate Meaning of Life!”