NEVER LOOK AWAY From Florian Henckel von Donnersmarck (The Lives of Others)

Showings

Cinema Arts Centre - Cinema 1 Fri, Feb 22, 2019 12:10 PM
Cinema Arts Centre - Cinema 1 Fri, Feb 22, 2019 3:50 PM
Cinema Arts Centre - Cinema 1 Fri, Feb 22, 2019 7:30 PM
Cinema Arts Centre - Cinema 1 Sat, Feb 23, 2019 12:10 PM
Cinema Arts Centre - Cinema 1 Sat, Feb 23, 2019 3:50 PM
Cinema Arts Centre - Cinema 1 Sat, Feb 23, 2019 7:30 PM
Cinema Arts Centre - Cinema 1 Sun, Feb 24, 2019 12:10 PM
Cinema Arts Centre - Cinema 1 Sun, Feb 24, 2019 3:50 PM
Cinema Arts Centre - Cinema 1 Sun, Feb 24, 2019 7:30 PM
Cinema Arts Centre - Cinema 1 Mon, Feb 25, 2019 3:00 PM
Cinema Arts Centre - Cinema 1 Mon, Feb 25, 2019 6:50 PM
Cinema Arts Centre - Cinema 2 Tue, Feb 26, 2019 3:00 PM
Cinema Arts Centre - Cinema 2 Tue, Feb 26, 2019 6:50 PM
Cinema Arts Centre - Cinema 1 Wed, Feb 27, 2019 3:00 PM
Cinema Arts Centre - Cinema 1 Wed, Feb 27, 2019 6:50 PM
Cinema Arts Centre - Cinema 2 Thu, Feb 28, 2019 3:00 PM
Cinema Arts Centre - Cinema 3 Fri, Mar 1, 2019 3:15 PM
Cinema Arts Centre - Cinema 3 Sat, Mar 2, 2019 3:15 PM
Cinema Arts Centre - Cinema 3 Sun, Mar 3, 2019 2:15 PM
Cinema Arts Centre - Cinema 3 Mon, Mar 4, 2019 6:30 PM
Cinema Arts Centre - Cinema 3 Tue, Mar 5, 2019 1:40 PM
Cinema Arts Centre - Cinema 3 Wed, Mar 6, 2019 2:05 PM
Cinema Arts Centre - Cinema 2 Thu, Mar 7, 2019 7:00 PM

Description

NEVER LOOK AWAY


From Academy Award winning director Florian Henckel von Donnersmarck (The Lives of Others) Shortlisted for Best Foreign Language Film Amidst the chaos of pre-war Germany, Kurt Barnert—based loosely on one of Germany’s most revered contemporary painters, Gerhard Richter—becomes fascinated by the art in the world around him. After the war, Kurt attends art school, where he meets and falls in love with Ellie, a fashion student. Kurt soon discovers that his family’s past is intertwined with Ellie’s in sinister and violent ways through her father’s work as a doctor with the Nazi eugenics program, just as art in Germany is entangled with the nation’s past. Through the Dresden bombings, a job as a Soviet propaganda artist, and a move from East to West Germany, Kurt strives to find his voice as an artist. (Germany & Italy, 2018, 188 Mins, R, German & Russian | Dir. Florian Henckel von Donnersmarck)
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