A fun weekend at a snowbound cabin turns to terror when a group of vacationers find themselves under attack by a creature that is half man, half rabbit, and 100% horny. A Finnish homage to the 80’s ‘man in a monster suit’ splatter horror films, this film is made in English, but with a sensibility that can only be from the darkest, coldest region of Scandinavia. Breasts, Bunnies, and Bestiality create a late-night cult-classic in the making. -Bears Fonte

A long-forgotten horror film somehow makes it into your DVD player. For some reason, you click on the commentary track. As the director and writer discuss the images on the screen, it becomes apparent that the horror behind the camera was far more disturbing than what they filmed. An exercise in brilliant meta-commentary, this is like Mystery Science Theater done by Hannibal Lecter. Featuring Barry Lyndon star Leon Vitali as himself, and Frankenstein in the actual Terror of Frankenstein. -Bears Fonte

All her life, quirky Haruko has longed for a "real paranormal phenomenon." Bullied by others as an outsider, she vents her frustration by shouting at her television… until her television shouts back. Turning into a humanoid tele-man, the old analog set becomes Haruko’s friend, then lover, then star of his own television show. A bizarre satire on television-obsessed culture, Takeba’s anything-goes film plays in a Neo-Dada sandbox with the Pop Art toys of Robert Rauschenberg and Jasper Johns. -Bears Fonte

When her psychology professor challenges the class to break a "sexual norm," doe-eyed Ella is desperate to not disappoint in her first college assignment. A trip to a strip club ends with Ella stabbing the owner to death, something she surprisingly enjoys. Diving down a spiral of bloodlust, the young co-ed changes the focus of her paper, and approaches her research with Patrick Bateman-reminiscent cold analysis. Qu'est-ce que c'est? Featuring Michael Madsen, Malcolm McDowell, Daniel Baldwin, and porn legend Ron Jeremy. -Bears Fonte

For those who grew up on late night hosts like Vampira and Svengoolie, it’s time to take a backstage glance into the workings of a low-grade local horror-schlock broadcast. Around screenings of cannibal pic Dinner For Monsters and S&M arthouse Slit, the cast and crew of Dr. Nasty’s Cavalcade of Horror discover the true terror may be inside their own studio. Late Night Double Feature is a rare anthology film that brings together different styles and directors and works as a whole as well. -Bears Fonte

It’s the worst day of his life. His dog is put down, he’s been fired, and he never received the sandwiches he ordered. Breaking into the butcher’s shop that fired him, he steals ALL THE MEAT. After gorging, he has an epiphany to redistribute the wealth, becoming a Robin Hood of beef. An underground Falling Down, Meathead Goes Hog Wild is an uncomfortable portrait of man at a crossroads, who gets run over by cars from both streets. -Bears Fonte

Just before NEUROO-X releases its newest game, promising to transform the secret longings of players into fantastic adventures, its Chief Development Manager mysteriously dies. His lover Ryuko searches inside the game for clues but the deeper she disappears into the digital world, the more she rewrites NEUROO-X’s programmed narrative, vanishing into a parallel world of demons, witches, knights, and terrorists. Like a Cronenberg film on speed, Polder dazzles the eye while disturbing the mind, all in the name of love. -Bears Fonte

Isaac Ezban double-shot: Two parallel stories follow two sets of characters trapped in illogically infinite spaces. A detective and two brothers climb an apartment staircase, only to find it looping back below only a few stories up. A family drives an endless road, passing the same signs and gas stations over and over again. In each reality, victims must choose to break their pattern or make peace with their new reality. The first feature from a bold new talent, Isaac Ezban. -Bears Fonte

Isaac Ezban double-shot: On a rainy night in 1968, the eve of a student revolt in Mexico City, eight characters find themselves trapped in a bus station. As the evening progresses, they find they share more than just a temporary prison. A dazzling homage to The Twilight Zone, director Ezban weaves his influences together into something fresh and shocking, and yet disturbingly familiar. To even write another sentence robs the audience of experiencing the descent into darkness The Similars offers. -Bears Fonte