Award-winning filmmaker and Missouri native Tracy Droz Tragos, director of the Sundance Grand Jury Award–winning documentary Rich Hill and Emmy-winning Be Good Smile Pretty confronts the power of Missouri’s restrictive abortion laws by sensitively telling the intimate stories of women who must surmount every obstacle to access abortion. This timely and relevant film reveals the ultimate connection between the right to choose and the right to live a fully empowered life. —Lexi Leban

Fifteen-year-old Audrie Pott in Saratoga, California, and 14-year-old Daisy Coleman in Maryville, Missouri never met. What connects them is the sexual violence and humiliation they suffered in unrelated incidents from groups of boys who got them drunk, assaulted them and posted their actions on the internet. Thanks to probing interviews with strikingly perceptive subjects, this film provides unflinching insight into the entitlement that leads to the condoning of sexual violence. —Zoe Pollak Screened at 2016 Sundance Film Festival

One-hundred-fifteen steps is all that separates a public housing complex from a private school for Manhattan’s elite. Class Divide shines a light on people who live a stone’s throw apart but inhabit completely different worlds. Despite grim statistics about poverty, the film is imbued with optimism as it shares stories from both sides of the street and finds common ground in the hopes and dreams of young people and their families. —Stephanie Rapp

What’s the definition of a mensch? After watching this inspiring documentary, you’ll have a two-word answer: Evan Wolfson. Founder of the advocacy group Freedom to Marry and the acknowledged “godfather” of the marriage equality movement, Wolfson’s 30-year struggle to bring about justice for millions of gays and lesbians is the heart of this fascinating history that retraces the circuitous path towards legalizing same-sex marriage in the United States. —Peter L. Stein

Bay Area artist and civil rights activist Edythe “Edy” Boone is a sprightly septuagenarian who seems only to gain energy over the years. Since she was a girl, this celebrated muralist (i.e. the San Francisco Women’s Building) has aspired “to develop a new color no one has seen in life.” Her unflagging drive and determination are captured by Berkeley filmmaker Mo Morris in this film’s every frame. Preceded by Arc of Justice. —Zoe Pollak