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Wild Inside
On February 2, 2023, Flaco — a male Eurasian eagle-owl, the largest species of owl in the world — was discovered missing from his cage at the Central Park Zoo in Manhattan. What follows when Flaco, who had lived his entire life in captivity, was released in New York City is a surprising story revealing the delight, concern, and fascination of millions in the city and beyond.
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CatVideoFest 2026
Our fuzzy overlords return to the big screen! Each year, CatVideoFest curates a compilation reel of the latest, best cat videos culled from countless hours of unique submissions and sourced animations, music videos, and, of course, classic internet powerhouses (Keyboard Cat, we’re looking at you).
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Italian Wannabe
After selling his beloved restaurant, a Los Angeles chef returns to the small village in Italy where he first fell in love with food in hopes of finding a new identity.
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9/11: Reclaiming Ground Zero
After the 9/11 attacks, after the smoke was gone, after the rubble cleared away, New Yorkers had a city to rebuild. In response to fast-tracked redevelopment plans, more than 5,000 people gathered in the largest town hall in American history. They came to vote on the city’s six proposals for rebuilding Ground Zero. But instead, the people rejected the top down approach and successfully charted a new path forward. Their work determined what is at Ground Zero today. And their story is an example of what democracy can look like.
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Steal This Story, Please!
New York-based independent investigative journalist Amy Goodman has been reporting from hotspots around the world for decades: from East Timor to Morocco, Nigeria, and Gaza, and closer to home during 9/11 and the Iraq War. Goodman and a small group of colleagues present the daily online, TV, and radio news program Democracy Now!, which has been on the air since 1996 with no government funding, thanks to contributions from donors, foundations, and news consumers.
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La vita è bella "Life is Beautiful"
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
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Moonstruck
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
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"Bicycle Thieves" Ladri di biciclette
Unemployed Antonio is elated when he finally finds work hanging posters around war-torn Rome. However on his first day, his bicycle—essential to his work—gets stolen. His job is doomed unless he can find the thief. With the help of his son, Antonio combs the city, becoming desperate for justice.
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James McNeill Whistler
Tate Britain is now holding the first major retrospective of Whistler in three decades. This blockbuster exhibition promises to reawaken the world to just how important Whistler is to art history, uniting world-famous masterpieces with rarely seen works. Exhibition on Screen will bring these stunning works and the incredible story behind them to cinemas around the world while the exhibition is still running, bringing this truly global artist to a global audience. This will be an unmissable chance to get to know this visually spectacular artist and the influence he has had on those who followed.
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John Singer Sargent: Fashion and Swagger
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
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