From the 60s to the 90s, several theaters and public spaces in Seoul and other cities, such as Pagoda Theater, Keukdong Theater, and Seongdong Theater, were appropriated as the crucial “cruising spot” by male sexual minorities. Now the main stage of cruising has moved from the physical spaces to the virtual fields. It seems there is no spatial validity for the Cruising Spot any longer.
Presented with short in competition Austrian Pavilion