Ascension

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No Longer Available

 
Ticket Prices
General Public:$12.00 (+ $2 online fee)
Members:$9.00 (no online fee)
Film Info
Program:New Releases
Virtual Cinema
Tags:Documentary
Women Directors
Asian Interest
Culture & Society
Oscar Nominee
Release Year:2021
Runtime:97 min
Country/Region:USA
China
Language:Chinese (Mandarin)
Website:Official Website
Print Source:MTV Documentary Films
Trailer:https://www.youtube.com/watch?v=c7Z4DRhy9pI
Cast/Crew
Director:Jessica Kingdon
Executive Producer:Ryan Kampe
David and Natasha Dolby
Kathryn Everett
Bryn Mooser
Tony Hsieh
Producer:Kira Simon-Kennedy
Jessica Kingdon
Nathan Truesdell
Cinematographer:Jessica Kingdon
Nathan Truesdell
Editor:Jessica Kingdon
Composer:Dan Deacon

Description

Starts February 11 IN MSP FILM'S VIRTUAL CINEMA

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Reserve your ticket and start watching anytime starting Friday, February 11. You will have 48 hours to complete once you begin watching. This engagement will run through March 3, with the possibility of an extension.


About the Film

Oscar Nominee - Documentary Feature

Ascension is an impressionistic portrait of China’s industrial supply chain that reveals the country’s growing class divide through staggering observations of labor, consumerism and wealth. 

To outsiders, China presents somewhat of a paradox: a nominally communist nation that exemplifies the enormous wealth creation of a hyper-capitalist nation. In recent years, President Xi Jinping has popularized the term “Chinese Dream”—an explicit nod to the path of personal upward mobility that made the United States the envy of the twentieth century. While it is an open-ended phrase, the CCP has used it to signify China’s return as a world superpower through military and economic strength. The dream is collective, and it is determined by the Party, from the top down. But what does the dream look like on an individual level, from the bottom up? This is the gaze of Ascension.

Ascension portrays capitalism in China across the levels of its operation, from the crudest mine to the most rarefied forms of leisure. Accordingly, the film is structured in three parts, ascending through the levels of the capitalist structure: workers running factory production, the middle class training for and selling to aspirational consumers, and the elites reveling in a new level of hedonistic enjoyment. The film juxtaposes these very different spaces to show a hidden but intrinsic connectedness. In traveling up the rungs of China’s social ladder, we see how each level supports and makes possible the next; simultaneously we see how true upward mobility between its levels largely remains an elusive fantasy. Though the levels exist side by side, ascension is a journey across generations, benefiting a few individuals on the rise at the expense of many.


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