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The Zone of Interest
O Cinema South Beach
Fri, Feb 2, 2024 7:00 PM
O Cinema South Beach
Fri, Feb 2, 2024 9:00 PM
O Cinema South Beach
Sat, Feb 3, 2024 2:00 PM
O Cinema South Beach
Sat, Feb 3, 2024 4:00 PM
O Cinema South Beach
Sat, Feb 3, 2024 6:00 PM
O Cinema South Beach
Sat, Feb 3, 2024 8:00 PM
O Cinema South Beach
Sun, Feb 4, 2024 2:00 PM
O Cinema South Beach
Sun, Feb 4, 2024 4:00 PM
O Cinema South Beach
Sun, Feb 4, 2024 6:00 PM
O Cinema South Beach
Sun, Feb 4, 2024 8:00 PM
O Cinema South Beach
Mon, Feb 5, 2024 7:00 PM
O Cinema South Beach
Mon, Feb 5, 2024 9:00 PM
O Cinema South Beach
Tue, Feb 6, 2024 7:00 PM
O Cinema South Beach
Tue, Feb 6, 2024 9:00 PM
O Cinema South Beach
Wed, Feb 7, 2024 7:00 PM
O Cinema South Beach
Wed, Feb 7, 2024 9:00 PM
O Cinema South Beach
Thu, Feb 8, 2024 7:00 PM
O Cinema South Beach
Thu, Feb 8, 2024 9:00 PM
O Cinema South Beach
Fri, Feb 9, 2024 7:00 PM
O Cinema South Beach
Fri, Feb 9, 2024 9:00 PM
O Cinema South Beach
Sat, Feb 10, 2024 2:00 PM
O Cinema South Beach
Sat, Feb 10, 2024 4:00 PM
O Cinema South Beach
Sat, Feb 10, 2024 6:00 PM
O Cinema South Beach
Sat, Feb 10, 2024 8:00 PM
O Cinema South Beach
Sun, Feb 11, 2024 2:00 PM
O Cinema South Beach
Sun, Feb 11, 2024 4:00 PM
O Cinema South Beach
Sun, Feb 11, 2024 6:00 PM
O Cinema South Beach
Sun, Feb 11, 2024 8:00 PM
O Cinema South Beach
Mon, Feb 12, 2024 7:00 PM
O Cinema South Beach
Mon, Feb 12, 2024 9:00 PM
O Cinema South Beach
Tue, Feb 13, 2024 7:00 PM
O Cinema South Beach
Tue, Feb 13, 2024 9:00 PM
O Cinema South Beach
Thu, Feb 15, 2024 9:00 PM
It’s summer in the mid-1940s, and a German family merrily idles by a river. Father Rudolf Höss (Christian Friedel) and mother Hedwig (Sandra Hüller) tuck their kids in bed at night. They entertain family and guests in their vast backyard garden on the weekends. In the mornings, she oversees chores with a cadre of housekeepers and cooks; he goes to work as head Commandant of Auschwitz Concentration Camp. Their domestic life is paradisiacal. Yet over the wall abutting their home, there are smokestacks in the distance, and at night there are muffled screams and occasional gunshots. Loosely inspired by the 2014 novel of the same name by Martin Amis, Glazer has created a singular, unsettlingly timeless representation of inhumanity and our capacity for indifference in the face of atrocity.
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