Event Information
The Power of the Dog
Friday, Nov 26, 2021 1:15 PM
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ONE WEEK ONLY MUST END 12-2
Directed by: Jane Campion

Charismatic rancher Phil Burbank (Benedict Cumberbatch) inspires fear and awe in those around him. When his brother brings home a new wife (Kirsten Dunst) and her son (Kodi Smit-McPhee), Phil torments them until he finds himself exposed to the possibility of love.

White= Open, Gray= Buffer Seat, Purple= Occupied
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Reserved Adult - $8.57
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Directed by: Jane Campion

A message from our program director Melissa Tamminga:


I am pleased to say we've booked a new film: Jane Campion's The Power of the Dog.


As a HUGE fangirl of Campion and of every single one of her films
(including all her shorts and TV series), I am over the moon we're going
to be able to give this a theatrical screening before it hits Netflix
on Dec. 1. It'll likely be only a 1-week run (unless audiences go crazy
for it, which would be awesome), but I'll take what I can get. 


Campion's second BA is in art (her first was in anthropology), and
her artistic sensibilities show up in every frame of her films. I'll
expect no less from this film, particularly her first Western (shot by
DP Ari Wegner -- Lady Macbeth, Zola -- scored by Johnny Greenwood), with the potential for the sweeping vistas that Westerns provide. It deserves the big screen. 


Like all of Campions films, however, we can also expect Campion to
follow her own path -- with her, a costume never is never just a costume
drama (The Piano, Portrait of a Lady, Bright Star), or a thriller is never just a thriller (In the Cut), or a police procedural is never just a police procedural (Top of the Lake), or a biopic is never just a biopic (Angel at my Table, Bright Star);
she constantly subverts both the genres and our expectations of them,
and I suspect Campion's Western will not be one to offer a comforting
portrait of American masculinity that Westerns so often have done.
Critic Robert Daniels notes, Dog is an "eerie" film, "an
immense portrait of psychological torture and toxic masculinity,
nestled on an imposing mountain landscape that entraps its characters."
And indeed, Campion's films are nothing if they are not psychologically and emotionally complex. 


Campion has a knack for getting extraordinary performances (Holly Hunter and Anna Paquin in The Piano) and often new kinds of performances out of her actors (e.g. Meg Ryan in In the Cut, Harvey Keitel in Holy Smoke), too, and critics like Daniels and Justin Chang (LA Times, NPR) are saying this is a career best for the already beloved Benedict Cumberbatch. 


Awards watchers like Variety have Dog up right up there with Belfast for a Best Pic or Best Director nominee or maybe a win, and while I do like Belfast, I must say, a win for Belfast would be a very safe Oscar pick. Campion, on the other hand, is never safe, and if Oscar voters choose The Power of the Dog, well, I'd say they'll be stepping out of their comfort zones, in all the right ways. 


(Incidentally, the Filmspotting podcast has had excellent series
where they've reviewed all of Campion's features, leading up the The Power of the Dog release, and it's well worth a listen: https://www.filmspotting.net/campion


Melissa 



Film Info
Rating:R
Reason for rating:for brief sexual content/full nudity.
Official Site:https://www.youtube.com/watch?v=LRDPo0CHrko
Trailer:https://www.youtube.com/watch?v=LRDPo0CHrko
Country of Origin:USA
Language:English
Genre:Western, Drama
Programs:Accessible
Captions:CCAP