Sixteen thousand splices in the making, E-Ticket is a frantic (re)cataloging of a personal archive. Frames of 35mm film are obsessively cut apart, reshuffled, then tape-spliced inch by inch as fragmented views rapidly swipe through a trip to India then culminate at a protest of a 2005 World Trade Organization summit in Hong Kong. Dante’s Inferno for the streaming age; freedom of movement for the modern cloud.