PASSING

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Showings

Ped Mall -Scene 1 Wed, Nov 3 12:00 AM
Ped Mall -Scene 1 Wed, Nov 3 4:30 PM
Ped Mall -Scene 1 Wed, Nov 3 7:00 PM
Ped Mall -Scene 1 Thu, Nov 4 4:30 PM
Ped Mall -Scene 1 Thu, Nov 4 7:00 PM
Ped Mall -Scene 1 Fri, Nov 5 4:00 PM
Ped Mall -Scene 1 Fri, Nov 5 7:00 PM
Ped Mall -Scene 1 Fri, Nov 5 9:30 PM
Ped Mall -Scene 1 Sat, Nov 6 1:30 PM
Ped Mall -Scene 1 Sat, Nov 6 4:00 PM
Ped Mall -Scene 1 Sat, Nov 6 7:00 PM
Ped Mall -Scene 1 Sun, Nov 7 1:30 PM
Ped Mall -Scene 1 Sun, Nov 7 4:00 PM
Ped Mall -Scene 1 Sun, Nov 7 7:00 PM
Ped Mall -The Screening Room Mon, Nov 8 4:00 PM
Ped Mall -Scene 1 Mon, Nov 8 7:00 PM
Ped Mall -The Screening Room Tue, Nov 9 4:00 PM
Ped Mall -Scene 1 Tue, Nov 9 7:00 PM
Ped Mall -The Screening Room Wed, Nov 10 4:00 PM
Ped Mall -Scene 1 Wed, Nov 10 7:00 PM
Ped Mall -The Screening Room Thu, Nov 11 4:00 PM
Ped Mall -The Screening Room Fri, Nov 12 1:00 PM
Ped Mall -The Screening Room Fri, Nov 12 3:30 PM
Ped Mall -The Screening Room Sat, Nov 13 1:00 PM
Ped Mall -The Screening Room Sat, Nov 13 3:30 PM
Ped Mall -The Screening Room Sun, Nov 14 1:00 PM
Ped Mall -The Screening Room Sun, Nov 14 3:30 PM
Ped Mall -The Screening Room Mon, Nov 15 3:30 PM
Ped Mall -The Screening Room Tue, Nov 16 3:30 PM
Ped Mall -The Screening Room Wed, Nov 17 3:30 PM
Ped Mall -The Screening Room Thu, Nov 18 3:30 PM
Series Info
Series:New Release Films
Reel Representation
Film Info
Rating:PG-13
Runtime:98 minutes
Director:Rebecca Hall
Year Released:2021
Production Country:UK
USA
Language:English

Description

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"With an incredible ensemble and an elegant eye, Rebecca Hall's Passing is a high-wire act of a debut that tackles its several thorny issues with nary a scratch. "—Robert Daniels, The Playlist

 

"A beautifully crafted piece of filmmaking and one that heralds an exciting new direction for Hall."—Leila Latif, Little White Lies

"Hall's touch is unerring, deceptively delicate, quiet and immaculate, like that final fall of snow."—Jessica Kiang, Variety

Based on the novel by Nella Larsen, the movie follows two African-American women who can pass as white and choose to live on opposite sides of the color line in 1929 New York. Rebecca Hall's elegant directorial debut stars Tessa Thompson (Sorry to Bother You) as Irene a young upper class wife of a doctor and Ruth Negga (Loving) as Clare, her blond haired high school friend she barely recognizes when she sees her across the grand tearoom of the Drayton Hotel. Through their reconnection we see a delicate exploration of race, gender, sexuality, and class packaged in a psychological thriller whose themes resonate today just as strongly as they did in the Harlem Renaissance.