In his most captivating film role in years, George Clooney is cast (fittingly) as the last great movie star. Jay Kelly is at a crisis point: uninspired by his work, reeling from the loss of his mentor, and tormented by a run-in with a haunting figure from his past, he does the unthinkable, backing out of a big new production at the 11th hour in order to run off to Europe and catch up with his college-bound daughter in France before attending a career tribute in Italy. Unable to entirely shed his Hollywood skin, he finds himself trailed by his entourage, including his long-suffering manager (played by a marvelously fragile Adam Sandler). At once introspective and raucous, the stellar character study JAY KELLY peeks at Hollywood narcissism with curiosity rather than judgment. Director Noah Baumbach (MARRIAGE STORY) and co-writer Emily Mortimer walk a delicate balance between industry parody and heartfelt sentiment, moving in and out of Jay’s past and present, fantasy and reality, probing the professional, familial, and moral life of a man for whom “all my memories are movies”, and who may be harboring more regrets than he cares to admit.