Juan Barquin is a South Florida based queer film writer whose work has appeared in the Miami Herald, Miami New Times, Hyperallergic, and Bitch Media, among other publications. Their work varies from festival coverage and cultural essays to in-depth interviews and short fiction. I am the co-creator and co-host for the podcast For A Good Time…, in which Isabelle Arf and they do deep dives into adult cinema, both contemporary and classic. They also co-founded the film criticism site Dim the House Lights along with Derek Godin & was the co-creator, manager, and programmer for the queer film series Flaming Classics alongside Trae DeLellis.

 

Vivian Kleiman is a Producer/Director, a Peabody Award-winning documentary filmmaker known for tackling challenging subjects and filmic approaches, on such subjects as international adoption; the burning of a Black church in South Carolina by an aspiring member of the Ku Klux Klan; women in a Tijuana slum whose actions led to the first multi-billion dollar cleanup of a toxic spill on the U.S.-Mexico border; and a former Marine who journeyed from rejection to acceptance of his gay son. A longtime collaborator with Black gay filmmaker Marlon Riggs, her work with him includes his landmark experimental documentary Tongues Untied (Additional Cinematography.) In 2021, Kleiman directed and produced No Straight Lines: The Rise of Queer Comics, a feature-length documentary that chronicles queer comic books from the margins of the Underground Comix scene to mainstream acceptance. Honored to premier at the Tribeca Film Festival, the film won the Grand Jury Award at LA’s Outfest, the most prestigious LGBT film festival in the U.S. Among her other professional awards: Organization of American Historians’ Eric Barnouw Award, International Documentary Association’s Outstanding Achievement Award, and National Emmy Award Nomination for Outstanding Individual Achievement in Research. Kleiman holds the distinctive record as producer or executive producer of eight co-productions with the Independent Television Service (ITVS), created by U.S. Congress to produce programs by independent filmmakers for national public television. As an educator, Kleiman served a Lecturer at Stanford University’s Graduate Program in Documentary Film Production for nine years.

 

Cristy C. Road is a Cuban-American artist, writer, and musician who’s been supplying creativity for punk rock, publishing, and social justice movements since she was a teenager in Miami, circa 1997. Road self-published Green’zine for 10 years, and has since released three illustrated novels which tackle gender, sexuality, mental health, and cultural identity (with a tinge of bathroom humor and curse words): Indestructible (2005), Bad Habits (2008) and her most recent work, Spit and Passion (2013), a graphic queer-coming-out memoir (about staying in the closet and listening to Green Day). C. Road’s work has been featured in the Baby Remember My Name: New Queer Girl Writing Anthology, Live Through This Anthology, Maximumrocknroll, Razorcake, New York Magazine, The Advocate, The Progressive, and countless other published works. As a musician, Road fronted The Homewreckers for eight years, and continues to perform and write music. She’s toured nationally and internationally on her own, and with Sister Spit: The Next Generation. She is currently illustrating the NEXT WORLD TAROT Card Deck and writing pop-punk songs in Brooklyn, NY.